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Artist in Residency: Adele Sanderson’s Minimalist Approach To Purple
If one is to believe in signs from the heavens, being born on Halloween undoubtedly means you’re destined for a life of dress up. Adele Sanderson knew early on she wanted to be a makeup artist thanks to her desire to transform herself—and not just on her birthday. She grew up in Cambridge, England and completed her schooling at London College of Fashion before assisting iconic makeup artist Wendy Rowe. Less than a decade since graduating, the British 20-something has already created an esteemed career for herself as an editorial makeup artist based in London. Now her work can be seen across publications, retailers, and brands like Vogue Spain, Net-a-Porter, and Dolce & Gabbana, respectively.

Call it fate, but despite her range of experience and the eternal allure of the red carpet, Sanderson always gravitates back to the freedom and expression that comes with editorial photoshoots. “I remember going through magazines like Glamour and Marie Claire when I was younger and studying the tutorials,” she says. “The path was always going to be editorial for me.”

Today, her unique ability to translate mainstream trends and create avant-garde looks, all while utilizing new formulations and delivering her signature glowing skin, has made her in-demand by photographers and brands alike. For these reasons and more, Rose Inc. is delighted to feature Sanderson as this month’s Artist in Residency.

Behind this Look:

To temper the precious purple hue she planned to use on Ridolfi’s eyes and lips, Sanderson opted for fresh, dewy skin courtesy of Giorgio Armani Luminous Silk Foundation applied with the brand’s Blender Brush. Starting with just moisturized skin, she buffed a thin veil over the model’s complexion then spot corrected with Glossier Stretch Concealer. Sanderson further grounded the forthcoming pastel pigment by lightly contouring Ridolfi’s face with the brand’s Maestro Liquid Summer before highlighting with Tom Ford Shade and Illuminate in Intensity One as the final step in the model’s complexion protocol. The goal: Juxtaposition between soft and strong.

"This color is the perfect middle ground because it has enough pink to be worn all over the face."

A delicate wash of color is strengthened with a defined frame, so Sanderson deepened Ridolfi’s brows with Viseart Brow Palette before setting the model’s arches with Glossier Boy Brow in Clear. A few coats of Tom Ford Ultra Length Mascara in Ultra Raven on Ridolfi’s curled lashes finished her eyes.

While it might seem subtle, patting the same hue worn on the eyes onto the lips creates a cohesive balance that’s pleasing to the eye. Sanderson outlined Ridolfi lips with the same Glossier concealer before pressing small amounts of eyeliner onto her lips with a clean finger. Remember, it should be a wash of color so the edges need not be sharp. “It’s not all about perfection,” Sanderson adds. “The edges should be a little blurry.”

Isabella Ridolfi photographed in London by Anya Holdstock. Hair by Shukeel Murtaza. Written by Lexy Lebsack.

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